10 August 2018
This dog I have been working on for a quite a while and finally got it to the stage it can be animated. It is loosely based on my dog Watson, so I might use that as it's name in a project. Rigging it was the big problem. the tongue was a nightmare to figure out, and the character object for quadrupeds in C4D is pretty wonky compared to the biped. As of today he also has a collar but I didn't feel like re-rendering the images to show it. Laziness I guess.
07 August 2018
25 July 2018
This project will be short, but not sweet. The sheep isn't called filthy for nothing! I am going for a completely different style here, very cartoon-y despite the language that will be used by the characters - or maybe because of it. It's not too out of the box for me, however. I think Charles Billingsworth the 3rd from my Dramatic Readings series would fit right in - stylistically anyway.
I have 2 shorts planned for this. In the first I'll use the weasel I made recently as the second character. The sheep modelling went terrible until suddenly it didn't - and i got pretty much what I wanted. The farm-scape is exactly what I pictured in my head. I wanted and outdoor, pastoral location in broad daylight to counter all the shadowy gothic horror stuff I've been doing. All the voices will be me this time around and I'll have to use all my audio tricks to pull that part off.
19 July 2018
A little different this time. I did this on the iPad in Sketchbook pro but instead of using the pen tools I tried the pencil to see how much like a real pencil it was. Pretty close. I had some issues with the width of the line, with a real pencil I usually use an Ebony pencil and keep it nice and sharp for crisp line and outlines but had trouble doing this with the Apple pencil for some reason.
03 July 2018
So I did this fairly quickly once I started working on in C4D after a couple months of knocking it around in my head. I have no idea what sort of character he is yet, like the fox Renarldo I made a while back I'd like to incorporate the french word belette (weasel) into his name as renard is fox in french. I have ideas how he will move around etc... just no idea sort of project he will be running around in.
I gave him fur like Charles Billingsworth the 3rd, the platypus in my Dramatic Reading series using the same sort of set up for that so it renders fast and helps give him some depth, I think. Not sure if he should have some sort of clothing or accessories yet. After I decide on that I can start rigging him for animation.
I worked more on his fur and gave him some black hair on his tail, plus made his eyes smaller and the pupils larger. I actually made a new set of eyes that work completely differently to get more expression in them. I am also almost done with his face and eye expressions. Over the next few days I should have his rigging done and maybe do a little animation test.
24 June 2018
The one took a lot out of me for some reason. I simplified the settings and textures so it would render quickly and have a cleaner look. It is a little more morbid than some of my others but that is Poe, not me! I am still having rigging issues, mostly weighting hands so they bend right. Sometime sit works great, others, not so much. Sometimes they start out working great and then something happens and the hands start acting weird on me. It's not super noticeable in this but it's something I want to improve on. Sorry for the voice narration, I am not the best but I was available and it was sort of "my turn" to do the voice other than the 2 Mike's who usually help me out!
13 June 2018
100% done with the new iPad. The size is 15x15 inches and it has several layers. No problem with pen lag or slowing down on the iPad because of the size. I did this to learn the Sketchbook Pro app better on the iPad and picked this subject because it needed a variety of techniques to pull off. Some pen work, some use of the ruler tool and some grayscale added in with a brush at the end.
It's not super easy all the time drawing on the tablet with Sketchbook. I had to redo a few things as I went along. Being able to hide the menu and tools helps things go faster but the ruler was not easy to position precisely with my 2 fingers. Also it's really easy to make some marks you didn't notice while zooming and turning the canvas with your fingers only to have to erase them when you notice them later. The pen itself is really great to use, I can't think of any drawing issues I've had with it so far. It is true charging it is not well thought out. Too easy for it to break sticking out of the bottom of the iPad and the little cap hiding the charger can get lost super easy - just not very well thought out in that respect.
I have a couple more tests to do to see how well I can work with the tablet. Which is the best iPad I have owned so far. I had the iPad 2 and then a mini, each for quite a few years and I expect I'll keep this one even longer. I don't really notice the space between the glass and the surface like some reviewers have griped about. Seriously, it's almost ½ the cost of of the iPad Pro and that is really not a problem.
I bought a keyboard/cover for it which has space for the pen and I also got a matte protective film to put over the screen. It does cut dow on the vibrance of the colours a bit, bit it also cuts down the glare immensely and makes the pens feel much more like drawing on paper so I recommend that for artists.