Oddly, I think pen and ink has a lighter feel over grey scale colour drawing. I think because I am obsessed with doing skin tones in points of different sizes which to me, more or less adds a film grain look to the illustrations.
04 March 2015
acrobat - saute 01
Oddly, I think pen and ink has a lighter feel over grey scale colour drawing. I think because I am obsessed with doing skin tones in points of different sizes which to me, more or less adds a film grain look to the illustrations.
20 February 2015
Affinity Photo Beta
I have been testing Affinity photo, which is being marketed as a viable alternative for Adobe Photoshop by Affinity, a Windows software company looking to enter the Mac marketplace with a suite of products on theApp Store. Affinity Designer is already released (to great reviews) as an Illustrator alternative. Mike Luce (a great artist IMO) has been trying it out and seems to like it but it lacks at least two features he can’t live without, mainly masks and bitmap vectorization.
With this in mind I started getting into the Affinity Photo beta, and fully expected something well done, but missing a few things I really need to do my work. Since it’s a beta, I also expected bugs, crashes and disabled functionality… all of which its most certainly has. The big surprise has been how well thought out what they have decided to include as features. I use Photoshop for a few different kinds of projects. Retouching and restoration is all I do for months sometimes and this software doesn’t seem to be lacking really any of the tools I want. Not all of them are implemented fully yet but they are there or on the way. The interface, while familiar will take some getting used, like all new software Professional photography is also something I am known to do and the RAW processor is much better than Photoshop’s in my opinion already and it looks like many of the plugins I use will be or are already supported. Some of the features are combinations of several separate features in Photoshop, the puppet tool is rolled into the mech distortion tools for example and I have to say… well done. I also draw on the computer, but not in always Photoshop because it’s brush situation is not up to what I need. Sketchbook Pro, which also recently went subscription (won’t be updating that one now either) has much more realistic pen and ink brushes in particular. Affinity Photo is lacking in this respect as well but they have told me they are working on it which is encouraging.

It’s likely to be 50$ with a a couple years of free updates included, no subscription and cloud nonsense and is going to be able to be used in unison with not only the released Designer app, but an upcoming Indesign alternative that I am really interested in seeing. If they do a web design and aAfter eEffects alternative I can dump everything from Adobe… providing they come through on the promise shown in these early efforts. Would I dump them?… yes I think I would.
Labels:
Affinity photo,
beta,
designer,
photoshop,
test
14 February 2015
11 February 2015
dessin - acrobat - toile
another acrobat done. I changed my technique slightly. normally i add some noise/grain to the image it soften the sometimes harsh photoshop look to the drawings but i think I made be better at drawing digitally and avoiding that problem.Hair seems a little better and I had a very hard time with the rear foot for some reason. I did notice the background gradient is little weird from the reformatting to jpg. In the PSD file is really smooth.
08 February 2015
03 February 2015
Nostalgia and effects tests in one
I loved Flash Gordon.. the original serials as a kid which were shown at a local movie house... usually before a Godzilla movie. (To be more precise, I loved Buster Crabbe.)
At one point I used the spaceship design from the serials in the behemoth video logo and also made an entire site with the ship landing on Mongo as my portfolio webpage, all in Flash, which seemed extra appropriate. As you can see, it was really primitive looking and was animated with a software called Swift 3D. it just spun on it's axis as everything did in the early days off Flash.
Now many years later, I decided to update the ship in Cinema 4D and use it as a test object for effects experiments. Video was taken at my friend's farm in Vermont and not well done I am sorry to say. I guess I was cold or just not paying enough attention.
Overall I am really happy with the new design. Turns out there were a few styles of ship used in the serials so I combined elements from all of them. Integrating it into real footage has it's challenges. It's very smooth, toylike and shiny. I didn't want to change that too much and make it look Steam punk or Jules Verne-ish but keep some of the art-deco aspects to it. I might make at least a drawing or two now from the serials or at least a poster and I can use this as a reference to draw from. Any excuse to look at photos of Buster I guess!
The video below is 3 separate tests. The last clip is actually the first test and I think it shows. The flyover was simple and effective (in my mind) and the pulling up to the barn clip is the most complex to pull off and I didn't exactly nail it. I need more practice and experimenting to get the total look of it being really there right. I like that I gave it a hard time making it's way through the snow. The snow was done with a plugin called magic snow which is great but not entirely real looking. They all have a sort of a "matte painting" look I would like to reduce in future.
Overall I achieved a Space Channel movie of the week quality which I suppose isn't terrible since it's only me figuring this stuff out on my own.
spaceshuip tests from Vincent-louis Apruzzese on Vimeo.
At one point I used the spaceship design from the serials in the behemoth video logo and also made an entire site with the ship landing on Mongo as my portfolio webpage, all in Flash, which seemed extra appropriate. As you can see, it was really primitive looking and was animated with a software called Swift 3D. it just spun on it's axis as everything did in the early days off Flash.
Now many years later, I decided to update the ship in Cinema 4D and use it as a test object for effects experiments. Video was taken at my friend's farm in Vermont and not well done I am sorry to say. I guess I was cold or just not paying enough attention.
Overall I am really happy with the new design. Turns out there were a few styles of ship used in the serials so I combined elements from all of them. Integrating it into real footage has it's challenges. It's very smooth, toylike and shiny. I didn't want to change that too much and make it look Steam punk or Jules Verne-ish but keep some of the art-deco aspects to it. I might make at least a drawing or two now from the serials or at least a poster and I can use this as a reference to draw from. Any excuse to look at photos of Buster I guess!
The video below is 3 separate tests. The last clip is actually the first test and I think it shows. The flyover was simple and effective (in my mind) and the pulling up to the barn clip is the most complex to pull off and I didn't exactly nail it. I need more practice and experimenting to get the total look of it being really there right. I like that I gave it a hard time making it's way through the snow. The snow was done with a plugin called magic snow which is great but not entirely real looking. They all have a sort of a "matte painting" look I would like to reduce in future.
Overall I achieved a Space Channel movie of the week quality which I suppose isn't terrible since it's only me figuring this stuff out on my own.
spaceshuip tests from Vincent-louis Apruzzese on Vimeo.
Labels:
animation,
cinema 4d,
Flash Gordon,
spaceship,
test
28 January 2015
chèvre
illustration - trying to get away from using more than is available in real pen and ink drawing even tough I am often on the computer. I think it's to easy to go too far with layers and shading and effects and too easy to hide failings in my drawing technique by fancy brush shading.
So this was done with just black pen strokes and I have to say is more satisfying to me than some of my other stuff since I started drawing on the computer. In life I always look for shades of grey but in drawing... I think I'm mostly a it's black or white guy. Still trying to figure out why I am happy with the fur I draw and so very unhappy when I draw hair on people. I am also settling in to the fact I have two very different styles when it comes to drawings like this and my colour series of acrobats as an example. I go the greyscale to colour route with colour drawings and use much less detailed pen work.
Thing is, when I post something like this... which for the moment I am pretty proud of, no one seems to care or even like it so much while a shirtless acrobat gets 100s of views on Flickr and I am not so happy with the end result. Nipples always win the internet I guess. Well this guy has 6 of them.. I think... didn't look... seemed wrong. :)
18 January 2015
C'est Wow / Look Kool demo reel
I was hired to do character animation, effects integration and 3D graphics for a French/English Tv show for children by Apartment11 Productions over the course of 4 months. that was a short time to do 16 episodes for each language... so 32 in 16 weeks! Despite the challenge, it worked out pretty well, mostly due to the team there and hard work everyone put into it. This reel is just my work, no the final product which went through additional After Effects, sound and colour correction in many cases. While I was able to do the more complex work at my home studio, the production company did not have the full version of Cinema 4D so my main job, the animated cat, had to be constructed within the limitations of the broadcast version of the software.... basically without many of the character tools I usually depend on.
C'est Wow demo reel from Vincent-louis Apruzzese on Vimeo.
3d graphiques, character animation and effects video integration for Apartment 11 Productions Montreal Quebec
C'est Wow demo reel from Vincent-louis Apruzzese on Vimeo.
3d graphiques, character animation and effects video integration for Apartment 11 Productions Montreal Quebec
12 January 2015
Copps Hill book now for sale on Amazon
My photo essay and history of Copps Hill Burial Ground is now for sale on Amazon.com as a printed full colour photo book! For those without iPads or who wanted physical copy, this is the place to get one. At the moment it is only 8.99$ but will go to 9.99$ fairly soon.
Buy the book
you can still buy a digital version on iTunes of course for 4.99$
01 January 2015
dessin: Arthur et Chat
another one done. This time there were issues with the Wacom tablet. Ever since updating to Yosemite with the new computer Wacom has released a series of worthless updates to the tablet drivers. In the end I uninstalled it and installed my 80$ Monoprice tablet I use for travelling. Works perfectly. Wacom needs to pay more attention to these things with tablets threatening to take over the market they were king of for so many years and with cheaper tablets doing almost as good a job.
Shirt, jeans overalls, cat fur an hair this one has a lot of things that are challenging to draw for me. I kept away from using greyscale shading on much of the ink work as I wanted it to be more traditional looking and adding a little gray shadow here and there can hide a thousands sins and I'd rather just avoid the sins... sometimes. :)
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