24 June 2017

Working with Lovecraft’s racism and gothic sexism




One of the difficult things with adapting other people’s stories for films is the baggage that comes with some of them. Many times it’s just odd plot machinations or maybe older references modern people have completely forgotten. Sometimes, it's much more delicate. 

H.P. Lovecraft was notoriously racist. There isn’t much of a debate about that. He wasn’t pulling an Eminem, saying he was just writing characters who happened to be racists. He was saying Italians are a filthy race living in squalor (as just one example) in stories, correspondences and personal interactions. I would argue it’s much less present in his literary work than his personal life and some of the offensive stuff in his writing might be us putting our modern sensibilities over those of a time where  racism was open and common - but I wouldn't argue it’s not in there or acceptable.  

Gothic horror stories and many stories from that period in general, including Lovecraft’s, have an inherent sexism as well. The protagonists are almost always male, and often there are no women at all! When women are present they are often victims, or sickly or at the mercy of some guy she married. To be fair, that was the case for many women at the time so it’s no surprise that’s how they were represented in fiction. 

So, why would I choose to make films from such problematic source material? For one thing, the stories themselves are fun, amazing, scary and have attracted me since I first learned to read. They are not about being racist or sexist, they are just trained by those elements. Since the authors are dead and the stories are for the most part in public domain, they are a rich source of ideas a poor filmmaker like me can actually make use of. As time goes by and immortal corporations have begun to own everything for forever and a day, making freely adaptable material more and more rare. 

In the case of my Lovecraft films, I easily can cut the stuff I like out. In fact, it never has anything really to do with the basic story so it’s never missed. I am also not lining the pockets of some bigot with cash in order to make them. Despite his influence on the horror genre, he is still relatively unknown in the world at large and, face it my little films won’t change that. His stories are also simple enough at their root to cut down to 2-4 characters and a few settings. This is vitally important when you are a one man show making an animated film by yourself with no budget. 

Sexism in gothic horror in general is little harder to get around and I haven’t been able to do what I would like to change them in a way I think would work. I have exchanged some men’s parts for women but then I can’t get a woman voice actor to record the part. The doctor in Cool Air would have been a woman if I could have found someone is one example. I added a mention of a sister in Staley Fleming’s Hallucination just to have the mention of a women, even though in that mention she is the grieving fiancé. 


In conclusion, I guess I still have some way to go to combat the problems in the stories of others I am telling. like many things, some of it because of budget, resources etc is beyond my control - but I do try. 

16 June 2017

The Oval Portrait






My next project will be Edgar Allen Poe's The Oval Portrait. 

I have to make three characters but I might modify one from a Lovecraft animation to save time. No synchronized dialogue in this one but 4 set pieces I will try to make a little less detailed and easier to render. It does take place an a recently abandoned manor afterall. There won't be tons of furniture etc to make. The will be a female in a large dress as  challenge and I might try some more advanced texture painting on the people.

Of course first I have to get the narration recorded and work out more of the details with lighting and mood. So here are a few images of the sets so far. There will be the long shots of the manor (maybe a tower as well), the hallway of paintings, the bedroom that contains the titular oval portrait and the artist's studio in the tower.

Clicking on the images will bring up larger version for anyone interested. 




10 June 2017

Staley Fleming's Hallucination - animated short




My adaption of the short Ambrose Bierce story done in Cinema 4d with the voice talent of Mike Luce as the doctor. 

Unlike the Lovecraft shorts I've done, this one needed some addition plot points to give the characters motivation and help it work as a short film. The written piece is very short and light on background details. Ambrose Bierce was not on my radar for this series of animation until he was mentioned by my friend Arthur Dion of gallery NAGA in Boston and I might take up another of his stories in future. 

I think I continue to refine my animation and rigging techniques with this project. I also delved little more deeply into effects work with the spectral hound and the fireplace details. I also discovered limitations to C4D i wasn't aware of.. like simulated hair doesn't show up in operate passes, like the depth pass, making it difficult to add focusing effects in post.  

01 June 2017

Edgar Allen Poe project - The Raven



I was up for a TV job that I did not get and decided that the cartoon raven is made for it, with a few modifications, would work for an animated version of the poem, The Raven. I reworked the CGI puppet and set up this little test which shows potential. I think.

This won't be done until next year I'm guessing as I am almost done with my Ambrose Bierce animation but have already started work on Poe's The Oval Portrait.

My idea is to have a series of gothic horror shorts that are not all Lovecraft and maybe tell a few more obscure stories in the genre. The Raven is far from obscure but since I seemed to be part of the way there - why not?

In case anyone is interested, here is an image of the original model which is certainly more child friendly. 

25 May 2017

Hutch - new drawing


I have not been inspired to draw much lately. It feels stale to me for some reason and unless I get some really interesting shots of acrobats this summer I might put that project to bed for awhile. I did draw to dogs from the neighbourhood this week that I have wanted to do for a while. Hutch, this one I think is the one I like more as a drawing. I put a tiny bit of colour in the small flap of extra tissue under his right eye as it's something that makes Hutch, Hutch. 

11 May 2017

Picktorial - DAM and image editor


In my quest to rid myself of Adobe products I have discovered something I hope to replace Adobe Bridge with. I mostly use Bridge to look through my images (photos illustrations files etc) and not to edit them but this new software offers a nice range of editing tools so I might just try them out. 

The app is called Pictorial and I immediately liked the interface and speed the images loaded. I did notice a couple hick-ups for my workflow, however. 

Since I use Affinity Designer and Photo over Photoshop and Illustrator now, I noticed those files simply were not visible in the Pictorial window. A huge disappointment. Affinity is working on it's own DAM software, but when that will get released is anyone's guess, could be as far as a year off or more. I contacted Pictorial to ask if at least seeing the preview images was in the roadmap and it wasn't... until I asked. Within a day they sent me a test version with the ability to see small .aphoto previews in the viewer! That is service! They also explained clearly what the problems were in getting larger images and that seeing eps, illustrator and other files in the viewer would be possible but isn't immediately available and why that was. 

So while this isn't the perfect replacement for me, it's the one I am using exclusively on my laptop and more and more on my desktop. I don't think it will be long before it does everything I need. 

27 April 2017

Blast from the past - my old training logo


This was the logo I designed for my years as a personal trainer in the 80s. I still like it today even if it is a little dated. I put it in the workbooks I gave my clients, t-shirts and in ads I put in the newspapers.


I created it in Pagestream on my Amiga, an early page layout program that had added vector drawing (limited but still innovative at the time) to it's list of features. It's still for sale! If I had 100$ or so lying about I would seriously consider trying it out again. It was way ahead of it's time but unfortunately the Amgia basically died out and I had to start with pagemaker and then to Indesign with brief times of using Quark.

09 April 2017

Staley Fleming's Hallucination by Ambrose Bierce : New Animation Preview

My new personal project is Staley Fleming's Hallucination by Ambrose Bierce and  I am far enough into it to give little preview no one asked to see.


I think this will be better in set design design than my previous projects, partly because I have a better grasp on what I want and mostly because there are only 2 (really 1 ½). I am using a mix of stuff I make myself, free models already made and modified models to fit the needs of the shot.


If you have read the short story, you'll know there are only 2 characters and ghost dog. The titular character is haunted by a spectral hound hallucinations each night and he has called in the the village doctor to rid him of them. I had to modify the text little and added some Lovecraftian details (Bierce and Lovecraft were friends) and so far have decided to use the same title design as the Lovecraft films so they will look part of the same series of gothic horror animations. (I plan to work on a Poe story next).


As I make the characters, I have seemingly worked out most of the technical problems a hell hound brings with it and how to have a fire in the fireplace flickering light into the room. So I am on my way to having this done by fall - I hope.

05 April 2017

Over the internet?

(Just random thoughts/ miscellaneous rant)

I use the internet  quite a bit, mostly for work - researching techniques or finding information or images for project and clients. I also get much of my news through RSS feeds in my iPad mini. I have noticed that, maybe inevitably, I am not really finding anything new to do online. In a way it is similar to my experience with app stores. At first the app store seemed to offer unlimited ways to improve my workflow, fun etc etc but soon you are not finding anything really helpful or new…just alternate versions of things already there.

I’m not saying the internet isn’t expanding and spreading out more every instant, but I am wondering if, while there is more of everything already there. 

More ways than I realized at the start, the world wide web has exceeded it’s expectations. I remember when there wasn’t any browsers or search engines. As those things were developed the web grew and my interest grew and I was soon downloading programs, sending email to the 5 people I could persuade to use it. I was fascinated by the expanding access to information and ability to get software, and images without leaving my house. 

As time goes on I use the internet more than ever but like the app store, its more and more to do the same sort of stuff and there doesn’t seem to be anything really new out there anymore. It’s become like a fridge, you can get one with a screen on it or can make calls or whatever, but face it the function of a fridge is only to store food cold. Seems like the internet is being pushed into doing stuff it really isn’t needed for or I’m just not interested in the new stuff.


I guess I am sort wondering if all that cool stuff at the start of being online was really more of less the limit of what its best to use it for? At the moment, the compulsion to connect everything to the world wide web has far too many downsides. I would rather have the house controlled by my home computer than by someplace/somewhere on the internet. I also don’t really do any social media and that is a more recent addition along with true online shopping(which I do use) that really did bring new functionality online. It’s probably just a lack of imagination on my part but I just don’t see where something new will come from. I am not saying the internet is useless or will become obsolete. I am saying there we might be reaching the limits of what is really good for - at least for now. 

31 March 2017

Mobius Meadows Farmstead website


It's literally been years since I have designed a website. (Other than my own that is).  One the last year my good good friend Art Klossner has decided to sell some of the products he makes on his farm in Vermont and wanted to help out so I volunteered to design the site.  Now it's finally up and running. 

Mobius Meadows Farmstead website


I also design the original logos, but in the end he decided to use one from someone else who incorporated a little ball of yarn into it and its quite nice. My first thoughts were to do something classy that included a mobius loop which was the logo for almost right up until the site went live. He was feeling not great about ti so I made another more fun and light. Honestly I like them both and designing logos while frustrating at point can be fun. I guess the same can be said of websites, though I enjoyed this one much more than those in the past because I stopped using Dreamweaver and switched to Sparkle which is much more like a page layout program and doesn't even allow you to code. The closest is comes to that is letting you embed things but even that is very visually done.



So I'm glad to too this on and glad it's finally online! Not sure I'll be doing more sites in future as that market share has been mostly eaten up by do it yourself/design in your browser companies that set up for free and make their money by selling you the domain and renting the server space. 



This is the logo decided on in the end by Tim Palin.  

21 March 2017

New(ish) Macbook Pro (2015)


My old MacBook Pro had been showing serious signs of decay over the last few years, not a surprise since it was over 6 years old and well used. It took 5 - 10 minutes just to fully turn on. I was becoming unusable for my work so I started looking into new laptops to replace it. Luckily, my brother had bought a MacBook Pro less than a tear before and wanted to sell it so while it’s used, it’s practically new - to me anyway. 

This past weekend I transferred my old files and programs to the new computer. I used Apples Migration software and it was going pretty poorly. I was using wifi for the transfer and it just wouldn’t work. To top it off, the new machine did not have an ethernet port, the way I usually transfer from one computer to another. In the end I had to buy a Thunderbolt to Thunderbolt cord and the transfer flew by with no more issues. The next day, I tried to wipe and re-install the OS on my former machine so I could sell it - dead… it couldn’t do anything. I guess I waited until the very last moment to make my upgrade. 

How is the new MacBook Pro?
This is the pro before the new miniscreen on the keyboard that takes place of the F keys and gives more functionality to certain programs. I was interested in having that but the price to get a new  MacBook with it was too high. There were other reasons to reject that newer model, however. The new models have one port… one! This MacBook has USB, A flash card port for my camera, 2 thunderbolt ports, hdmi port… all of which are useful to me and I really did not want a portable that needed 100 widgets to connect things. 

There is a vast improvement to the screen, I can now do colour corrections and work on my photos with less worry it won’t look the way I want on my bigger home system. The updated graphics card and 16 gigs of RAM really make it a real alternative for my 3D work and should help me with rendering complicated projects. The i7 processor and flash drive boot it up in seconds and all my software just flies on it. No more beachball of death as I try and save a photo or Indesign file.  It is also thinner and lighter, features that don’t really impress me much but are nice to have  just not essential from my point of view. 

Conclusion

This was a great purchase for me. It’s fast, practical and should service my needs for at least another 5 years. It will have to, my lack of actual paid contracts and home renovations this year with cripple my finances for years to come. At least now I can continue to work no matter where I am. 

As an aside, I also stripped the application folder to the bare minimum of software, which means only the Adobe program I can't replace with something else. (Namely Indesign and After Effects). This, I think should save me from running low on RAM as much and frankly, the Affinity products I am using are much faster and practical on the laptop. 

13 March 2017

Auto portraits 2017


So every ten or so years I do a profile portrait to embarrass myself. I guess it is good thing to do, especially now since I really don't get photograph people much anymore.


Since I had to set everything up in my studio, I took a variety of portraits, including some with "my hair up". It looks like this when I wake up so I'm sort of natural punk rocker. When I was younger it was more Ziggy Stardust-like, it just stood straight out (and was often orange, red, or... well name  a colour).


Since going to digital, the voice of doing colour or black and white can be put off until you are processing the photo instead of having to start off with that choice already made for the next 36 photos. I tend to go b&w in the end but here is a comparison of my choice with one of the photos.


I am actually always embarrassed by how I look and very private so it is always odd for me to put images of myself out there. I had to set up the backdrop and camera and be on my knees to keep in the frame for these so it felt a little silly. Luckily I have a remote to set off the shutter or I would have to set a time delay and run into position before it goes off! 

10 March 2017

Learning Blender 3D



As the price of Cinema 4D has jumped astronomically over the years with less and less improvements and new features to pay for that extra cost, it has become apparent that unless I get a hell of lot more work that pays a hell of a lot more money, eventually my current version will run out of steam and be unusable. Already, I am trying to adapt to the untimely death of Cactus Dan whose plugins are essential to rigging in C4D (In my opinion) and are no longer being updated.


To start finding alternatives, I decided to learn Blender, a free program that has been used for some amazing animations and has ALL the features and more of C4D and frankly just about any other software out there. Of course being free software it has its pluses and minuses , a big minus being not many places use it professionally.

Just Starting to Learn

Blender is a very deep program to learn. I decided to start very simply as I had tried to learn it unsuccessfully  in the past. Despite having used a number of software over the last few decades, I couldn’t even place a cube into the scene or render anything. It was frustrating and I have to say, it still is. The interface is pretty terrible from an end user’s point of view. Like much of the freeware out there made by programmers, it is set up more to a programmer’s set of needs. Blender requires that you learn a huge amount of keyboard shortcuts in conjunction with a 3 button mouse just to navigate in it’s windows. Many of the shortcuts are non standard so it can be like learning a new language just to do the most basic of tasks. It’s a well known issue in the Blender community and there is an ongoing debate from what I read on various forums on what to do, if anything, about that problem. It IS a problem, despite the alleged benefits of typing in values by hand for some people, it simply isn’t how we work these days and limits drastically the reach of this fairly amazing effort. Many of the arguments for keeping as it is are reminiscent of those when computer went from DOS commands to a graphic interface and I would argue that argument was lost a long time ago.

To get over this hurdle, I bought a 600 page book The Complete Guide to Blender Graphics (3rd addition) by John M. Blain. I don’t find the writing style so easy to understand but it covers seemingly everything and should be a great reference source as I go on. Another thing I did was follow tutorials, a few about the basic interface which were somewhat helpful and a few at www.LittleWebHut.com which I am using as my work samples here because of the simplicity of the projects and the instructor never assumes you will remember the complex series of shortcuts and goes over each progression step by step which helps me to slowly memorize and adapt to the interface while creating something interesting. I picked two basic modelling projects, an animation that involved particles the node based cycles render engine and one that creates a robot dog and introduced me to the key frame and timeline system in Blender.



My Impressions So far

Having only scratched the surface, many of my opinions will surely change over time. I plan to keep at this another 3 months intensely, hopefully ending in doing a complete short animation in Blender from start to finish.

The modelling tools are interesting and while not intuitive, cover all the bases and have some interesting ideas behind them. You have to accept each change before moving on to to the next - this is pretty annoying and slow. The bones IK/FK system is clunky and something like setting up an IK chain (so far, there are certainly plenty of functions I have not been exposed to yet) is manually accomplished bone by bone while it’s a simple click in C4D and other programs. The particle system is pretty good from what I’ve experienced. Not as good as X-particles (which is an unfair comparison) but I found using them fairly easy. Rendering is a little complicated. The Blender engine is only barely serviceable and might be good as a test render while the Cycles engine is nodes based and manages to give flicker free animations using techniques that take longer and are not as usefully implemented as they could be. You have a lot less control in Blender in the final render from what I see and a lot more control in setting up the textures. The key framing is not great sorry to say. It’s hard to get a handle on and I found myself swearing quite a bit just moving a sphere from on spot to another.


Things I need to Learn for this to be Practical 

Compositing is a large part of my work flow, not just 3D into live action video but often separating  things like motion blur and depth of field to be adjusted in another program like After Effects or Motion to gain better control and save on rendering time. The capacity is here, I just have to learn how and if I can save different layers (like a shadow, z depth, motion vector or object layer) as separate files on export. Mograph-like clones and animation are the bread and butter of many 3D artists and Blender is lacking in this department but they update with new features regularly so who knows how long it will stay behind in this aspect. Blender has some pretty awesome character rigging tools, if you can learn to use them. I think I will gain some very much needed experience in more advanced rigging techniques as I go along.

Blenders Biggest Advantages

Being free is one, but not the most important as functionality and ease of use trumps free while doing serious work. Time is money and also the less aggravating something is to use, the more you will use it. Blender’s add-ons are nothing short of amazing and super useful. They provide easier and faster ways to do things you would pay tons of cash for on another platform and many are freely included. Some examples are an auto-rigger, a room builder and even a very adaptive character builder, something all high end 3D software should have as making characters is the biggest time killer and often the most discouraging aspect of 3D work fro many animators. I wish there was a clothing generator as well! Those working on this software update it quite often and it’s always improving. They seem very transparent and open to suggestions - something Maxon (C4D) has most definitely not been in recent years. While far to many features are hidden and hard to find, they are there and I was surprised to discover many features I paid for in C4D plugins were just sitting below the surface in Blender. It should be stated that overall, it is fairly stable and doesn’t crash often, but it does crash. It can be a little buggy as well. So like all complicated software, save often!



Conclusion So Far

I can’t say I love Blender or that it will come my main software anytime soon. I can say it’s got the potential to become those things. I also find that learning it has already opened possibilities I had not thought of in C4D in terms of workflow and other things but can be applied to it. I can also see using some of the features in Blender as a way to get around or create things that C4D does not offer or do well and importing them.

I have joined a forum for Blender that seems friendly and helpful, something that really pushed me into C4D was the C4d café forum, one of the best ever. I need to get more competent and comfortable with Blender before I post anything and start to interact. I am sure when I do, I will gain better appreciation for this software.

19 February 2017

Game Review: Quern - Undying Thoughts


I am not a gamer, not by any stretch of the imagination. Occasionally I will find something I like and try it out but I am more likely to replay Myst or Riven (the other game sin the Myst series are only not available on the MAC) than add a new game to the list. I like the video game world(s) but not the gameplay. I love the idea of being able to explore a fantastic place, discover things but I have no desire to kill, decapitate or explode 100s of zombies, creatures or whatever and certainly have no desire to have those things happen to me. I love great graphics, mood and presentation over violence and action. In other words, take anything I say about any game with those grains of salt.

Off to Quern


While waiting for Obduction to be released, I came across another game in development that promised to be Myst-like in nature and was intrigued by the artwork I saw. It was to be released in November and Obduction in August, several months ahead of it. As it turns out, I have finished Quern and Obduction seems no closer to being released for the MAC than it was in August. So how is the game? 

If you like Myst, you will like Quern. It’s basically an updated version of the old game. The artwork, puzzles, and music is all VERY similar. That, however, is not a criticism in the least bit. While the puzzles are not so integrated into the story as in the games that inspired it, they are more than delightful enough to work your way through. Some of the set pieces are stunning and even surprising. For an independently produced video game, the creators really made a huge effort to impress and they do.


The game play is very simple, but not without quirks and even a few bugs. You can take notes but the resolution is low and they are not really much help. Pen and paper will be needed. I got stuck at one point and contacted the developer and they were great in helping me. Yes, it was a bug and when it couldn’t be fixed immediately they sent me a file taking place just after the puzzle needing to be solved so I could continue. We are talking only several hours before I was back to the game again.

Speaking of puzzles, I like solving them to a certain degree but after a time a few get tiresome and I just look at a walk through to get past them. Same thing is there are millions of steps, and Quern does have several puzzles that require far too much back and forth for my tastes. I play these things to relax, not get aggravated and frustrated so I feel perfectly justified in « cheating » when it keeps me from getting angry at the game.

The story is bare bones, typical puzzle adventure game stuff. Well thought out - but not eye opening or too surprising. Like the game it pays homage to, there is a choice to make at the end but unlike that game, the choice does not really change the ultimate outcome. That’s about all I can say without being too spoiler-y. I did hit a small bug at the end that made me think I had really screwed myself, but it cleared up. (A door that was open was closed but turning around and going back it was suddenly open again.)

Pros:
Great artwork, music, structure, support

Cons:
a couple bugs, no built in hints (which I think are essential for this sort of game) a weak ending.

* I would also liked to have the chance to just walk around the environment, like the old Cyan games did after finishing the story and be able to discover little hidden places and extras that don’t affect the game in any way. That is a lot to ask for in indie project, though. 

WillI I buy an almost certain sequel? Absolutely! After accomplishing so much with this, I imagine the developers will only get better and produce something even more intriguing.

07 February 2017

All 3 Lovecraft film showing online this week!


All three of my Lovecraft animations are being shown in the CYBERIA VR Film Festival (click for time and instructions on how to see them. Be sure to comment and tell them how cool they!  :)
Tell as many people as you can!

Restoring BigMa

BigMa was what we called my mother's mother while she was alive. I made a documentary about her many years ago.




Recently my mother found and old photo of her she wanted me to restore and print for her. Oddly I had a copy of this photo already, but it was a scan of a photo copy I used in the title credits of the film so when I had the chance to work from a much higher resolution scan of it I was really happy to do it. 


For years I worked with PBS on a few American Experience episodes (won 2 Emmys and a Peabody Award on those projects yet somehow haven't had any more work from them in years) restoring and animating images and I LOVED doing it. This little thing for my mom made me realize how much I love to bring back old photos to their former glory. 


I could have taken this even further but there is a point where only I will ever see the work I did in the restoration. I have a very precise series of steps I do when restoring something. I start fixing the largest problems first which are usually tears and missing body parts. If I have access to other photos from the same period of the same person, I can usually replace a hand or arm or eye, there are limits of course. I will then clean up the dust and stains, by hand. If there are big black sections with dust and scratches I might selects only the black and run a dust an scratches filter to save time, but only in areas of solid black. 

Lastly I will convert it to black and white (if the photo was in B&W to begin with of course) and then add back in the sepia tone if the client wants it. 

28 January 2017

The Inmates have Taken Over the Prison



Just a quick note to say I have taken over The Celluloid Slammer film blog site. I have been writing for it for many years at the request of Donna Lethal and since for almost two years I have been the only one writing for it, she was kind enough to hand it over to me. I am joined by Mike Luce who does a video series called The Movie Wrench where he fixes the mistakes in films under the character Hipster J. Douchebag.  I have asked several others to become contributors but no one else has stepped up so far. So if you are interested and have something to say about film and video... contact me!

20 January 2017

cast of characters


I just finished the initial set of characters for use in my science animations for Dr, Christopher Labos at Mouton no More. I have a workflow now that keeps getting faster and working from one générique model is definitely the only way I can get this done, but it seems to work well enough.

All of the characters can be posed and have basic face and hand expressions that are easily added to as needed. The rigging is very basic but works so far. Odd things always crop up when you actual get into the work.

My goal for years was to have a stable of actors, so to speak, to work with so I'm no reinventing the wheel every project and can concentrate less on my weakest point (modelling people) and get faster into my strongest point, the animation itself.

I seem to be on the way to that now.

04 January 2017

Getting a head start on 2017

I occasionally make animations for Dr. Christopher Labos and the group Mouton No More. They started with the idea I would get illustrations of the characters and animated them simply in the software "Motion by Apple but the illustrators stopped illustrating and I was left with the task of making the main character seem more alive by a sort of cut-out form of animation - replacing his arms with arms in different positions and replacing his face with different expressions. This can only take you so far so I took it upon myself to make a 3D version of him and soon a small cast of characters that I can simply pose and render out. I think this will look better in the end and since I can't really draw cartoons, it lets us have a little more freedom with the characters. Not sure if there will be any full animation sequences yet. We'll see how it goes. We are not producing a short at present so I can afford to play around a little.
As you can see (above), the original look wasn't very complicated and very appealing. The new version was taken from a bought model (by cartoon studio on Turbosquid.com)(below) that looked enough like the 2D version I felt confident that he could be modified to look more like the drawing.

I think I succeeded (see below) and can use the model I bought as a base to make the rest of the characters. He isn't perfect and isn't feature film ready, but he'll do fine in the 90 second science shorts, hopefully!


I have new character ready for rigging already. It amazing how far you can go with a simple base model to work from. I would love to develop the skills to model everything from scratch but that particular talent is evading me at the moment.


And below is one of the earlier films in case anyone is interested.